The definition of beauty changes all the time. And sometimes, as society develops, it goes in cycles, like the changing of the four seasons. Not so long ago, Chinese people saw fashion as something that came from the West. Afraid to make "mistakes," they looked to Europe and America to see which standards had been set. As a result, fashion in China looked pale and blurry.
But now, the Internet, technology and social media have rendered the world flat. Fashion can be accessed from anywhere, with styles from around the world cohabiting and influencing one another. Go to a high-end Beijing department store, for instance, and you'll see shoppers holding Hermes bags and wearing Chanel tops with Uggs -- all while holding a string of Buddhist prayer beads in their hands. Fusion is the future of fashion.
As a visual artist who grew up in this "new" China, I witnessed my generation's material dreams become a reality. I look to my background for inspiration. But I also believe that repetition is a disease -- and I don't want my work to reinforce stereotypes. Images of dragons and phoenixes are powerful, but when people use them again and again, they lose the power to be fresh or exciting. I want to capture the real contemporary China, not to please people with cliches.
The country my generation now inhabits is no longer isolated from outside information and ideas. I use technology in my photography, and I believe this is the future of visual art. If technology can help artists present things in new and better ways, why shouldn't we embrace it? There is no need for artists to live in the past. After all, we live in a world where artificial intelligence is so advanced that it can create art free from human input.